Oda's Deep Thoughts
Weekly
Shonen JUMP Table of Contents Comments Guide
Project History
Every week, the manga artists, authors and editors of Weekly
Shonen JUMP are given a small space on the
table of contents page located at the back of the volume to express a personal
message. They range from trivial lamenting of poor weather to bombshell wedding
announcements. Authors may also use this space to promote their work as it
exists in other media such as video games, movies etc. When read individually
the comments don't usually reveal compelling information, however, when one
follows a thread of similar comments over time, as a collective they may reveal
telling patterns of how the author works or what challenges he or she faces.
I began collecting Weekly Shonen JUMP
when I moved to Japan in July 2006. At the time I didn't read the weekly
comments (or 巻末コメント kanmatsu komento) on a weekly basis. Eventually I came to understand how important
they are to understanding the process of manga development and started to make
a point of reading One Piece author, Eiichiro Oda's weekly comments. Later I discovered that sometimes
authors discuss other series via their weekly comments and so I started reading
all of the authors' comments to investigate their interactions.
In Fall 2009, I came across a list of the
first five years of weekly comments by Oda on the
now-defunct One Piece database fansite Destination
Paradise. I was startled to find comments that were both thematically
and directly linked to comments Oda made years later.
This inspired me to compile a translated list of the modern weekly comments so
fans could have a clearer picture of Oda and his
creation. I also wanted to provide something for fans that had never been
successfully carried out, a complete listing of the original release dates of
every One Piece chapter. This proved to be the most painstaking and
time-consuming aspect of the process for reasons detailed in the guide proper.
After much research, I accomplished my goal with some help from One
Piece fans Jason Sackel & bandit_legend who helped fill in some blanks.
While pleased with the results, I was still missing the first five
years' worth of material. Although the Destination Paradise translations
existed, I felt that some translations might have been a little confusing and
wanted to personally translate them myself. The problem was finding five years'
worth of old JUMPs, but that was remedied when I located the Modern
Manga Library in Tokyo. The library isn't much larger than a single
room but the privately-owned collection itself is a massive treasure trove of
manga and manga-related publications available to the public to peruse for a
fee. While it would have been simple to make copies of each table of content
page, with the rental of a single volume equivalent to a dollar and a copy
being another dollar, with nearly 200 hundred volumes to peruse, economically
it was not an option. Sifting through each volume, I transcribed every one of Oda's comments by hand. I also made certain to check for
any comments related to Oda or his work by other
authors.
It was during this stage of the project that I became aware of the OK! JUMP GUY section
of the table of contents. No matter how many hundreds of
times I had browsed the pages, I never noticed yet another corner on the very
same page reserved for commentary from Shueisha's
head editors. I discovered that the editors also commented on One
Piece from time to time. This meant going back to square one and
rechecking all of the past table of contents for the
possibility of One Piece-related editors' comments.
Deep in the development history, I decided to go beyond the
challenge of listing dates and also attempt to link threads of commonality between
comments obvious to readers. Although I've become intimately familiar with the
comments having read them dozens upon dozens of times,
I doubt that readers will spend nearly as much time reading them as I did;
that's why I took the liberty of creating links between commonly mentioned
people, places and other topics. This way you can see how Oda
has or has not changed over time without wasting precious time sifting through
unrelated material.
While the most difficult part of this project is complete, the
guide will remain incomplete until, naturally, One Piece itself comes to
completion. To that extent, I intend to keep this guide updated at irregular
intervals.